Vol. 4 Núm. 2 (2018)

issue cover

DOI: https://doi.org/10.6092/issn.2421-454X/v4-n2-2018

Publicado: 2018-12-26

Número completo

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Introduction: Investigating The CW

5-8
- PDF (English)

Producciones / Mercados / Estrategias

Gossip Girl and The CW: defining a new network. (You’re nobody until you’re talked about)

Anais Le Fèvre-Berthelot

9-18
- PDF (English)
Angels, demons and whatever comes next: the storyworld dynamics of Supenatural

Florent Favard

19-26
- PDF (English)
The CW Arrowverse and myth-making, or the commodification of transmedia franchising

Charles Joseph

27-45
- PDF (English)

Cultura / Recepción / Consumo

‘Quality Series’ and their Production Cultures: Transnational Discourses within the German Television Industry

Florian Krauß

47-59
- PDF (English)
Quality TV and Social Distinction: An Experiment on How Complex Television Series Valorize Their Users

Daniela M. Schlütz, Katharina Emde - Lachmund, Helmut Scherer, Jonas Wedemeyer

61-75
- PDF (English)

Narrativa / Estética / Crítica

The Wire and the Democracy of Fiction

Ariane Hudelet

77-89
- PDF (English)
Class Concerns in a Heritage Setting: Viewers’ responses to Downton Abbey on IMDb

Helge Ridderstrom

91-101
- PDF (English)
“When you see me again, it won't be me”. Twin Peaks from the Multichannel Era to the Digital Era

Carlotta Susca

103-110
- PDF (English)