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Series – International Journal of TV Serial Narratives
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  3. Vol. 4 No. 2 (2018)

Vol. 4 No. 2 (2018)

issue cover
DOI: https://doi.org/10.6092/issn.2421-454X/v4-n2-2018
Published: 2018-12-26

Full Issue

  • PDF
  • Introduction: Investigating The CW

    5-8
    • PDF

Productions / Markets / Strategies

  • Gossip Girl and The CW: defining a new network. (You’re nobody until you’re talked about)

    Anais Le Fèvre-Berthelot
    9-18
    • PDF
  • Angels, demons and whatever comes next: the storyworld dynamics of Supenatural

    Florent Favard
    19-26
    • PDF
  • The CW Arrowverse and myth-making, or the commodification of transmedia franchising

    Charles Joseph
    27-45
    • PDF

Culture / Reception / Consumption

  • ‘Quality Series’ and their Production Cultures: Transnational Discourses within the German Television Industry

    Florian Krauß
    47-59
    • PDF
  • Quality TV and Social Distinction: An Experiment on How Complex Television Series Valorize Their Users

    Daniela M. Schlütz, Katharina Emde - Lachmund, Helmut Scherer, Jonas Wedemeyer
    61-75
    • PDF

Narratives / Aesthetics / Criticism

  • The Wire and the Democracy of Fiction

    Ariane Hudelet
    77-89
    • PDF
  • Class Concerns in a Heritage Setting: Viewers’ responses to Downton Abbey on IMDb

    Helge Ridderstrom
    91-101
    • PDF
  • “When you see me again, it won't be me”. Twin Peaks from the Multichannel Era to the Digital Era

    Carlotta Susca
    103-110
    • PDF

Language

  • English
  • Español (España)
  • Italiano

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Series – ISSN 2421-454X
Dipartimento delle Arti – Alma Mater Studiorum – Università di Bologna
Universitat Politècnica de València
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