Vol. 4 No. 2 (2018)

issue cover

DOI: https://doi.org/10.6092/issn.2421-454X/v4-n2-2018

Published: 2018-12-26

Full Issue

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Introduction: Investigating The CW

Mélanie Bourdaa, Claire Cornillon, Shannon Wells-Lassagne

5-8
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Productions / Markets / Strategies

Gossip Girl and The CW: defining a new network. (You’re nobody until you’re talked about)

Anais Le Fèvre-Berthelot

9-18
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Angels, demons and whatever comes next: the storyworld dynamics of Supenatural

Florent Favard

19-26
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The CW Arrowverse and myth-making, or the commodification of transmedia franchising

Charles Joseph

27-45
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Culture / Reception / Consumption

‘Quality Series’ and their Production Cultures: Transnational Discourses within the German Television Industry

Florian Krauß

47-59
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Quality TV and Social Distinction: An Experiment on How Complex Television Series Valorize Their Users

Daniela M. Schlütz, Katharina Emde - Lachmund, Helmut Scherer, Jonas Wedemeyer

61-75
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Narratives / Aesthetics / Criticism

The Wire and the Democracy of Fiction

Ariane Hudelet

77-89
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Class Concerns in a Heritage Setting: Viewers’ responses to Downton Abbey on IMDb

Helge Ridderstrom

91-101
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“When you see me again, it won't be me”. Twin Peaks from the Multichannel Era to the Digital Era

Carlotta Susca

103-110
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