Class Concerns in a Heritage Setting: Viewers’ responses to Downton Abbey on IMDb
DOI:
https://doi.org/10.6092/issn.2421-454X/7960Keywords:
heritage films, class, audience responseAbstract
This article examines the TV series Downton Abbey (2010-15) from both a class and a reception perspective. Downton Abbey belongs to the heritage film genre with its claims to detailed historical accuracy, and is thereby separated from conventional costume drama and period TV series. ‘Official’ books on the series, written by Julian Fellowes’s niece and others, will be important references in the article. Downton Abbey comes close to presenting a conservative defense of the values and lifestyles of the aristocracy, but this vision of the elite and its values is challenged by some of the series’ (re)viewers. Non-professional reviews posted on the website International Movie Database include very critical opinions on class struggles and aristocratic privileges. Some respondents are satiric and forcefully oppose the values and interests of the propertied classes in the series; other reviewers in the same vein present analyses of power and class aspects in the series. These comments and criticisms are relevant to today’s class issues in Britain and elsewhere.References
Atkinsons, Will, et al. (eds.) (2012). Class Inequality in Austerity Britain: Power, Difference and Suffering. Basingstoke: Palgrave Macmillan.
Baena, Rosalía and Christa Byker (2015). “Dialectics of Nostalgia: Downton Abbey and English Identity.” National Identities 17(3):259-69. https://www.tandfonline.com/doi/pdf/10.1080/14608944.2014.942262?needAccess=true (last accessed 12-09-18)
Boyd, Kelly (2016). “Upstairs and Downstairs: British Costume Drama Television from The Forsyte Saga to Downton Abbey.” Media History 22(2):254-7. https://www.tandfonline.com/doi/pdf/10.1080/13688804.2016.1161240?needAccess=true (last accessed 31-08-18)
Boyes, Laura (2014). “Interview: Downton Abbey historical advisor Alastair Bruce visits the Triangle.” Indy Week Dec 30, 2014. http://www.indyweek.com/arts/archives/2014/12/30/interview-downton-abbey-historical-advisor-alastair-bruce-visits-the-triangle (last accessed 21-03-18).
Boyle, Karen (2014), “Gender, comedy and reviewing culture on the Internet Movie Database.” Participations: Journal of Audience & Reception Studies 11:31-49. http://www.participations.org/Volume%2011/Issue%201/3.pdf (last accessed 10-09-18).
Byrne, Katherine (2013). “Adapting heritage: Class and conservatism in Downton Abbey.” Rethinking History 18(3): 311-27. http://www.tandfonline.com/doi/full/10.1080/13642529.2013.811811?src=recsys (last accessed 05-09-16).
Byrne, Katherine (2015). Edwardians on Screen: From Downton Abbey to Parade’s End. Houndmills (Basingstoke): Palgrave Macmillan.
Chapman, James (2014). “Downton Abbey: Reinventing the British Costume Drama.” In British Television Drama: Past, Present and Future, edited by Jonathan Bignell and Stephen Lacey, 131-42. Basingstoke: Palgrave Macmillan.
Fellowes, Jessica and Matthew Sturgis (2012). The Chronicles of Downton Abbey: A New Era. London: Collins.
Fellowes, Jessica (2014). A Year in the Life of Downton Abbey. London: Headline Publishing Group.
Higson, Andrew (2003). English Heritage, English Cinema: Costume Drama since 1980. Oxford: Oxford University Press.
Leggott, James and Julie Anne Taddeo (eds.). (2014). Upstairs and Downstairs: British Costume Drama Television from The Forsyte Saga to Downton Abbey. Lanham (Maryland): Rowman & Littlefield.
Lukács, György (1964). Studies in European Realism. New York: Grosset & Dunlap.
Monk, Claire (2012). Heritage Film Audiences: Period Films and Contemporary Audiences in the UK. Edinburgh: Edinburgh University Press.
Otterbacher, Jahna (2011). “Being Heard in Review Communities: Communication Tactics and Review Prominence.” Journal of Computer-Mediated Communication 16:424-4. http://onlinelibrary.wiley.com/doi/10.1111/j.1083-6101.2011.01549.x/full (last accessed 24-03-18).
Otterbacher, Jahna (2013). “Gender, writing and ranking in review forums: A case study of the IMDb.” http://www.jahna-otterbacher.net/wp-content/uploads/2013/07/FinalPublished.pdf (last accessed 24-03-18).
Rowley, Emma (2013). Behind the Scenes at Downton Abbey: The Official Companion to all four Series. London: HarperCollins Publishers.
Sperati, J. P. and Sabine Schreiner (2013). Downton Abbey on Location: An Unofficial Review & Guide to the Locations Used. Cambridge: Irregular Special Press.
Stoddart, Scott F. (ed.). (2018). Downton Abbey: Critical Essays. Jefferson (North Carolina): McFarland & Company.
Vidal, Belén (2012). Heritage Film: Nation, Genre and Representation. London & New York: Wallflower.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2018 Helge Ridderstrom
Copyrights and publishing rights of all the texts on this journal belong to the respective authors without restrictions.
This journal is licensed under a Creative Commons Attribution 4.0 International License (full legal code).
See also our Open Access Policy.