Gomorra Remixed: Transmedia storytelling tra politiche di engagement, mainstream e produttività del fandom

Autores/as

  • Antonella Napoli Università degli Studi di Salerno
  • Mario Tirino Università degli Studi di Salerno

DOI:

https://doi.org/10.6092/issn.2421-454X/5904

Palabras clave:

post-seriality, Gomorra, participatory, culture, fandom

Resumen

Gomorra – La serie (2014 - ongoing) is a television series which approaches the standards of the so-called “quality television” (McCabe & Akass 2007), thanks to its cinematographic properties and because it is capable of forming cross-media fictional universes. This paper sets out to analyze this product and its potential of transmedia storytelling. Through the analysis of the related works on fictional seriality and post-seriality, the paper deals with the genesis of Gomorra – La serie, analyzing the ties with the book by Roberto Saviano and with the film by Matteo Garrone. The observation also extends to the audiences of this serial and its grassroot manipulations – fanfiction, fanvideo, tributes, parodies and citations – which circulate through social media as an expression of the participatory culture of digital media.

Publicado

2015-12-30

Cómo citar

Napoli, A., & Tirino, M. (2015). Gomorra Remixed: Transmedia storytelling tra politiche di engagement, mainstream e produttività del fandom. Series - International Journal of TV Serial Narratives, 1(2), 193. https://doi.org/10.6092/issn.2421-454X/5904

Número

Sección

Cultura / Recepción / Consumo