From a Literary Genre to a Television Genre. The Circulation of “Finnish weird”
DOI:
https://doi.org/10.6092/issn.2421-454X/14464Palabras clave:
genre, circulation, Nordic noir, television industry, brandResumen
This article examines Finnish weird, a television genre that was established to promote Finnish television series abroad. Originally a literary genre blurring the boundaries of sci-fi, fantasy and realism, the concept of Finnish weird was adopted by the television industry in 2018, when a number of series were branded as “Finnish weird” at an international industry event. In both production and reception Finnish weird was mainly characterised by a comparison to Nordic noir. However, the genre failed to replicate the success of Swedish and Danish crime drama and soon vanished from the industrial discourses. This article analyses the genre as cultural practices by examining the circulation of Finnish weird. Through investigating the origin of the concept, the practice of branding diverse television series as Finnish weird and the generic discourses defining Finnish weird in relation to Nordic noir, the text shows how the literary genre was appropriated and redefined for television.
Citas
Altman, Rick (1999). Film/Genre. London: BFI Publishing.
APFI.fi (2018). MIPCOM 2018. https://apfi.fi/tapahtuma/mipcom-2018/ (last accessed 24-02-22).
APFI.fi (2022). ”Av-alan avaintoimijoiden yhteinen vientihanke Focus on Finland nostaa esiin suomalaista draama- ja dokumenttisisältöä”. https://apfi.fi/ajankohtaista/av-alan-avaintoimijoiden-yhteinen-vientihanke-focus-on-finland-nostaa-esiin-suomalaista-draama-ja-dokumenttisisaltoa/ (last accessed 24-02-22).
Aridi, Sara (2019). “What’s on TV Saturday: ‘Pick of the Litter’ and ‘Bordertown.” New York Times. https://www.nytimes.com/2019/02/02/arts/television/whats-on-tv-saturday-pick-of-the-litter-and-bordertown.html (last accessed 24-02-22).
Badley, Linda, Nestingen, Andrew and Seppälä, Jaakko (2020). “Introduction. Nordic Noird as Adaptation.” In Nordic Noir, Adaptation, Appropriation, edited by Linda Badley, Andrew Nestingen, and Jaakko Seppälä, 1-14. Cham, Switzerland: Palgrave Macmillan. DOI https://doi.org/10.1007/978-3-030-38658-0
Bakare, Lanre and Waterson, Jim (2018). “Corbyn’s Reforms and ‘Finnish Weird’: What We Learned at Edinburgh TV Festival 2018.” The Guardian. https://www.theguardian.com/tv-and-radio/2018/aug/24/edinburgh-tv-festival-2018-what-we-learned-jeremy-corbyn-michaela-coel-love-island (last accessed 24-02-22).
BooksfromFinland.fi (2022). “About us”. http://www.booksfromfinland.fi/about/ (last accessed 24-02-22).
Business Finland (2018). “Finnish Weird. Upcoming Finnish TV Drama 2018–2019”. https://issuu.com/audiovisualfinland/docs/finnish_weird_handout_web (last accessed 24-02-22).
Clarke, Stewart (2017). “Cast Assembled for Nordic Noir ‘Arctic Circle.’ ‘Casino Royale’ Star Clemens Schick Joins Bavaria Fiction Drama.” Variety. https://variety.com/2017/tv/global/nordic-noir-arctic-circle-clemens-schick-1202608673/ (last accessed 24-02-22).
Deehan, Tom (2018). “Filming Arctic Circle in Finnish Lapland: How a Finnish/German Co-Production Is Reinventing Nordic Noir.” The Location Guide. https://www.thelocationguide.com/2018/02/filming-arctic-circle-in-finnish-lapland-how-a-finnishgermanfrench-co-production-is-reinventing-nordic-noir/# (last accessed 24-02-22).
Eichner, Susanne and Waade, Anne Marit (2015). “Local Colour in German and Danish Television Drama: Tatort and Bron//Broen.” Global Media Journal 5(1): 1-20.
Erkko, Anni (2018). ”Kamera käy Lapissa—suomalainen tv-draama puskee mukaan eurooppalaiseen kilpailuun.” Kauppalehti. https://www.kauppalehti.fi/uutiset/kamera-kay-lapissa-suomalainen-tv-draama-puskee-mukaan-eurooppalaiseen-kilpailuun/feecf93c-3ece-3d04-a988-0f755d143014 (last accessed 24-02-22).
FinnishWeird.net (2014). “Finnish Weird”. http://www.finnishweird.net/finnishweird1.html (last accessed 24-02-22).
Finnland. Cool. (2014). “Finnish Weird: Extravaganza from Finland”. Finland Cool. http://finnlandcool.fi/?p=1847 (last accessed 24-02-22).
Forsman, Liselott (2016). “Nordic Noir and Finnish Weird”. https://yle.fi/aihe/artikkeli/2016/02/01/nordic-noir-and-finnish-weird (last accessed 24-02-22).
Hansen, Kim Toft and Waade, Anne Marit (2017). Locating Nordic Noir. From Beck to The Bridge. Basingstoke: Palgrave Macmillan. DOI https://doi.org/10.1007/978-3-319-59815-4.
Hopewell, John (2019). “Mika Ronkainen, Merja Aakko Talk ‘All The Sins,’ Finland’s Bible Belt, Landscape.” Variety. https://variety.com/2019/film/global/mika-ronkainen-merja-aakko-all-our-sins-finland-bible-belt-1203102383/ (last accessed 24-02-22).
Huusela, Jasmin (2019). ”Tänään se alkaa! Suurella tuotannolla tehty Ratamo-vakoiludraama haastaa nordic noir -sarjat—Samuli Vauramo ja Jukka Puotila Supo-miehinä.” Iltalehti. https://www.iltalehti.fi/tv-ja-leffat/a/76dda219-d63a-4688-bbcc-79f965b5ca19 (last accessed 24-02-22).
Isojärvi, Aino (2018). “Seuraava trendi maailmalla on Finnish weird—Oulussa kuvattava rikosdraama suuntaa kansainvälisille markkinoille.” Kaleva. https://www.kaleva.fi/uutiset/oulu/seuraava-trendi-maailmalla-on-finnish-weird-oulussa-kuvattava-rikosdraama-suuntaa-kansainvalisille-markkinoille/799998/ (last accessed 24-02-22).
Keinonen, Heidi (2013). ”’Tämä ei ole tosi-TV:tä, tämä on totta.’ Geneerinen neuvottelu Iholla-sarjassa.” Lähikuva 26(1): 32-47.
Kinnunen, Kalle (2019). “Pyhäjärven kaivoksella kuvataan tv-sarjaa 700 metrin syvyydessä—Tuottaja: ’Tästä tulee erilainen kuin aiemmin nähdyistä pohjoismaisista sarjoista.’” Kaleva. https://www.kaleva.fi/uutiset/kulttuuri/pyhajarven-kaivoksella-kuvataan-tv-sarjaa-700n-metrin-syvyydessa-tuottaja-tasta-tulee-erilainen-kuin-aiemmin-nahdyista-pohjoismaisista-sarjoista/813709/ (last accessed 24-02-22).
Kääpä, Pietari (2020). “‘Why Don’t We Do Television Like That in the UK?’: Promotional and Paratextual Strategies in the Transnational Branding of Nordic Noir.” In Nordic Noir, Adaptation, Appropriation, edited by Linda Badley, Andrew Nestingen, and Jaakko Seppälä, 113-133. Cham, Switzerland: Palgrave Macmillan.
Mittell, Jason (2004). Genre and Television. From Cop Shows to Cartoons in American Culture. New York: Routledge. DOI https://doi.org/10.4324/9780203642139.
Mitchell, Molli (2019). “Bordertown Season 2 Location. Where is Bordertown Filmed? Where Is Its Set?” Express. https://www.express.co.uk/showbiz/tv-radio/1080182/Bordertown-season-2-Netflix-Sorjonen-series-where-is-Bordertown-filmed-set-location (last accessed 24-02-22).
Neale, Steve (2000). Genre and Hollywood. London: Routledge.
Nordischerklang.de (2018). “Informationsforum: Nordic Noir & Finnish Weird”.
http://nordischerklang.de/informationsforum-nordic-noir-finnish-weird/ (last accessed 24-02-22).
Pham, Annika A. (2018). “Bullets Series Creators on Targeting Mood and Emotions.” Nordisk Film og TV Fond. http://www.nordiskfilmogtvfond.com/news/interview/bullets-series-creators-on-targeting-mood-and-emotions?utm_campaign=newsletter&utm_medium=email&utm_source=newsletter&fbclid=IwAR1WWkjB7GJAvEvjCTT_BFpPpgLNz6yHoI7s1vFGC6VmHUFNB9tNQl3dkwQ (last accessed 24-02-22).
Pöyry, Aleksi and Vilhena, Francisco (2014). “Granta Finland. Interview.” Granta 25 March 2014. https://granta.com/interview-granta-finland/ (last accessed 24-02-22).
Ruohonen, Voitto (2018). “Nordic noir on vahva brändi, entä Suomi-noir?”. Avain 2018(3): 130-139.
Samola, Hanna and Roine, Hanna-Riikka (2014). “Discussions of Genre Interpretations in Johanna Sinisalo’s Auringon ydin and Finnish Weird.” Fafnir—Nordic Journal of Science Fiction and Fantasy Research 1(3): 27-35. http://journal.finfar.org/articles/discussions-of-genre-interpretations-in-johanna-sinisalos-auringon-ydin-and-finnish-weird/ (last accessed 24-02-22).
Samola, Hanna and Roine, Hanna-Riikka (2018). “Johanna Sinisalo and the New Weird: Genres and Myths.” In Lingua Cosmica. Science Fiction from Around the World, edited by Dale Knickerbocker, 154-166. Urbana, IL: University of Illinois Press. DOI https://doi.org/10.5406/j.ctv19x5km.13.
Sinisalo, Johanna (2011). “Weird and proud of it”. BooksfromFinland.fi. https://www.booksfromfinland.fi/2011/09/weird-and-proud-of-it/ (last accessed 02-05-22).
Sundqvist, Janne (2012). “Mitä kummaa? Suomikummaa!”. Yle.fi. https://yle.fi/uutiset/3-6224605 (last accessed 24-02-22).
Valaskivi, Katja and Sumiala, Johanna (2014). “Circulating Social Imaginaries. Theoretical and Methodological Reflections.” European Journal of Cultural Studies 17(3): 229-243. DOI https://doi.org/10.1177/1367549413508741.
VanderMeer, Jeff (2011). “Finnish Weird–and Finnish SFF Links Round-Up”. http://www.jeffvandermeer.com/2011/05/13/finnish-weird-and-finnish-sff-links-round-up/ (accessed 24-02-22).
White, Peter (2018). “‘Sherlock North’ & Sky-Backed ‘Bullets’ Help Finnish Weird Go Global—MIPCOM.” Deadline. https://deadline.com/2018/10/finnish-weird-mipcom-sherlock-north-1202478488/ (last accessed 24-02-22).
Descargas
Publicado
Cómo citar
Número
Sección
Licencia
Derechos de autor 2022 Heidi Keinonen
![Creative Commons License](http://i.creativecommons.org/l/by/3.0/88x31.png)
Esta obra está bajo una licencia Creative Commons Reconocimiento 3.0 Unported.