The Kim Wall Murder Serialized: Ethics & Aesthetics in High-Profile True Crime
DOI:
https://doi.org/10.6092/issn.2421-454X/12483Palabras clave:
true crime, meta-communication, series, the investigation, media ethicsResumen
This article investigates the dramaturgical, aesthetical and ethical implications of making television on the back of a high-profile, internationally appealing and very recent murder case: the Kim Wall murder. During a trip in his self-made submarine, Peter Madsen, a known amateur space rocket and submarine builder, abused and murdered Kim Wall, a young Swedish journalist, who was supposed to do an interview with him. Less than three years later, a range of true crime productions had been made about the case, and this article analyses three of them. Preliminary findings suggest that meta-communication is highly important in high-profile true crime productions such as these, and that creators have to walk a thin line.Citas
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TV Series cited
(2014)
Borgen (2010-2013)
Forbrydelsen (2007)
Game of Thrones (2011-2019)
Into the Deep (2020)
The Investigation (2020)
The Jinx (2015)
Making a Murderer (2015-2018)
Mindhunter (2017-2019)
The Secret Recordings (2020)
Other media cited
A Hijacking (2012)
Call of Duty (2003-)
In Cold Blood (1966)
Serial (2014-)
World of Warcraft (2004-)
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Derechos de autor 2021 Lynge Stegger Gemzøe
Esta obra está bajo una licencia Creative Commons Reconocimiento 3.0 Unported.
