Introduction: Dialogues with Technology
DOI:
https://doi.org/10.6092/issn.2421-454X/12054References
Barra, Luca (2015). Palinsesto. Storia e tecnica della programmazione televisiva. Roma-Bari: Laterza.
Bolter, Jay David and Richard Grusin (1998). Remediation: Understanding New Media. Boston: MIT Press.
Everett, Anna and John T. Caldwell (2003). New media: theories and practices of digitextuality. London: Routledge.
Jenner, Mareike (2018). Netflix and the Reinvention of Television. Basingstoke: Palgrave.
Langford, Michelle (2008). “Lola and the vampire: Technologies of time and movement in German cinema.” In Cinema and technology cultures theories practices, edited by B. Bennett, M. Furstenau, and A. Mackenzie, 187-200. New York: Palgrave MacMillan.
Llinares, Dario and Sarah Arnold (2015). “Reframing Cinematic Space and Audience Practice in the Digital Age.” Networking Knowledge 8(5): 1-12. https://doi.org/10.31165/nk.2015.85.392.
Manovich, Lev (2001). The Language of New Media. Boston: MIT Press.
Molina, Carlos (2020). “Netflix apuesta por convertir a España en el ‘hub’ audiovisual de Europa.” Cinco Días, 23 June 2020. https://cincodias.elpais.com/cincodias/2020/06/23/companias/1592914399_118170.html (last accessed 15-12-20).
Neira, Elena (2020). Streaming Wars. La nueva televisión. Barcelona: Planeta.
Nikdel, E. W. (2015). “Re-centering the Cinema Experience in a Multi-Platform, Digital Age.” Networking Knowledge: Journal of the MeCCSA Postgraduate Network 8(5). https://doi.org/10.31165/nk.2015.85.393.
Rubin, Peter (2019). “Disney’s New Lion King is the VR-Fueled Future of Cinema.” Wired, 7 October 2019. https://www.wired.com/story/disney-new-lion-king-vr-fueled-future-cinema/#:~:text=Director%20Jon%20Favreau%20shot%20the,looks%20like%20a%20real%20movie (last accessed 15-12-20).
TV series and films cited
Black Mirror (2011-2019)
Deutschland 83 (2015)
Game of Thrones (2011-2019)
The Lion King (2019)
The Mandalorian (2019-)
Timecode (2000)
Twin Peaks (1990-1991)
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2020 Luca Barra , Oswaldo García Crespo
This work is licensed under a Creative Commons Attribution 3.0 Unported License.