The Kim Wall Murder Serialized: Ethics & Aesthetics in High-Profile True Crime
DOI:
https://doi.org/10.6092/issn.2421-454X/12483Keywords:
true crime, meta-communication, series, the investigation, media ethicsAbstract
This article investigates the dramaturgical, aesthetical and ethical implications of making television on the back of a high-profile, internationally appealing and very recent murder case: the Kim Wall murder. During a trip in his self-made submarine, Peter Madsen, a known amateur space rocket and submarine builder, abused and murdered Kim Wall, a young Swedish journalist, who was supposed to do an interview with him. Less than three years later, a range of true crime productions had been made about the case, and this article analyses three of them. Preliminary findings suggest that meta-communication is highly important in high-profile true crime productions such as these, and that creators have to walk a thin line.References
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TV Series cited
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Borgen (2010-2013)
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Game of Thrones (2011-2019)
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The Jinx (2015)
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Other media cited
A Hijacking (2012)
Call of Duty (2003-)
In Cold Blood (1966)
Serial (2014-)
World of Warcraft (2004-)
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Copyright (c) 2021 Lynge Stegger Gemzøe
This work is licensed under a Creative Commons Attribution 3.0 Unported License.
