Introduction: Serials in East Asia

Authors

  • Sung-Ae Lee Department of International Studies, Macquarie University, Sydney
  • Helen Kilpatrick Faculty of Law, Humanities and the Arts, University of Wollongong
  • Winnie L.M. Yee Department of Comparative Literature, University of Hong Kong, Hong Kong

DOI:

https://doi.org/10.6092/issn.2421-454X/10202

References

Fiske, John (1987). Television Culture. London and New York:

Methuen.

Koetse, Manya (2019). “When Ad Breaks Get Weird: Branded Content in Chinese TV Dramas Is Ruining It For the Viewers.” What’s on Weibo. January 6. https://www.whatsonweibo.com/when-ad-breaks-getweird-branded-content-in-chinese-tv-dramas-is-ruiningit-for-the-viewers/ (last accessed 13-10-19).

Mittell, Jason (2015). Complex TV: The Poetics of Contemporary Television Storytelling. New York: NYU Press.

Oltean, Tudor (1993). “Series and Seriality in Media Culture.” European Journal of Communication 8(1): 5-31.

Yang, Ling and Yanrui Xu (2017). “Chinese Danmei Fandom and Cultural Globalization from Below.” In Boys’ Love, Cosplay, and Androgynous Idols: Queer Fan Cultures in Mainland China, Hong Kong, and Taiwan, edited by Maud Lavin, Ling Yang and Jing Jamie Zhao, 3-19. Hong Kong: Hong Kong University Press.

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Published

2019-12-27

How to Cite

Lee, S.-A., Kilpatrick, H., & Yee, W. L. (2019). Introduction: Serials in East Asia. Series - International Journal of TV Serial Narratives, 5(2), 5–10. https://doi.org/10.6092/issn.2421-454X/10202

Issue

Vol. 5 No. 2 (2019)

Section

Editorial

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Copyright (c) 2019 Sung-Ae Lee, Helen Kilpatrick, Winnie L.M. Yee

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